Title III/Activity
I: Spring 2007 Mini-grant Project
Proposal
Submit proposals
electronically to Andrea Hardin, Title III Activity Director
DEADLINE: February 19, 2007
|
Name: Dr. Jan Lewis |
Date:
2/19/07 |
|
Division/Dept.: Fine Arts/Theatre |
Phone:
757-5249 |
Specify if this is an
application for:
|
|
Stipend, up to $1,500. |
|
|
One Course Reduction subject to Department Chair &
DeanÕs approval. |
|
x |
Equipment, up to $1,800 per person listed on the
application. |
Narrative: Please answer these questions:
In
submitting this proposal you acknowledge that you understand that if your
proposal is funded, you must provide an initial and a final report on your
project. Your initial report is
due at the beginning of the semester immediately following the first full
semester for which your equipment was available. A final report is due one year from that date.
If you
receive a stipend, you must submit a report at the beginning of the first
semester after the work for which you received the stipend has been
implemented. A final report is due
one year from that date.
If you
need assistance, please contact Cathy Locks, 757-3772,
clocks@wesleyancollege.edu
SPRING 2007
TITLE III PROPOSAL
JAN LEWIS
NARRATIVE
1. Course Name(s) and Number(s) to be impacted:
THE
105 Introduction to Theatre
THE
125 Acting I
THE
225 Acting II
THE
233 Voice and Movement for Actors
THE
290 Exploring the Theatrical Past
THE
315 Directing I
THE
316 Directing II
THE
333 Acting III
THE
451 Directed Independent Study
HON
210 Race, Ethnicity, Gender and Performance
AND
Four
Department of Theatre Productions annually, for which students receive credit
under THE 235 Introductory Performance and Production and THE 320 Advanced
Performance and Production
2. Described
how the project will impact your teaching and explain any innovative strategies
you have developed.
As of Fall 2006, the
Department of Theatre at Wesleyan reinstated the collegeÕs Theatre Major to
accompany its thriving Theatre Minor.
Among the goals of the redesigned Theatre Major is to provide students
with pre-professional training in all the theatre arts, raise the quality of
the departmentÕs productions, and thereby make the Wesleyan Theatre program
competitive with those at other colleges.
My mandate as the new faculty member in Theatre includes creating and
teaching THE 105; upgrading and teaching the performance and production courses
THE 125, 225, 233, 333, 315 and 316; teaching new critical thinking courses;
directing students in productions; facilitating sound and music for
productions; advising student directors and supervising their productions;
mentoring theatre students; designing and updating the Theatre Dept. web pages;
and recruiting new students to the College and the Theatre Department. Most of these duties require computer
equipment and software which are not currently available on the Gateway
computer located in my office, which is slow at 863 MHz and, with 512 MB RAM,
contains insufficient memory. The
new equipment I am requesting will resolve speed and memory problems and
facilitate all of my academic and production duties.
In order to study the
performances, directing, and/or design of professional productions from around
the globe in THE I05, THE 125, THE 225, THE 290, THE 315, THE 316, and THE 451,
I need to access on-line graphics and DVDÕs of various productions and images
and edit them into succinct classroom presentations. With material in such a technically-advanced visual and aural
format, students will learn more easily and more thoroughly about theatre
production in various world cultures through comparison and contrast of
recorded events. In addition, in
Fall 2006 our department acquired access to a video camera, one purpose of
which is for faculty to record student performances and student-directed
productions, edit them onto DVDs, and use them to illustrate to students in the
acting and movement sequence (THE 125, 225, 233, and 333), the directing
sequence (THE 315, 316), and in various Independent Studies the specific
strengths and weaknesses in their performative and directorial efforts. The equipment requested in this
grant will permit me to incorporate this teaching method into these courses.
Further, the Department of
Theatre faculty cannot currently download and edit music and sound effects for
our four annual productions, which is a tremendous lack. For example, during late January
and early February 2007, we reached a crisis in this regard when Theatre faculty
were unable to create the edited music component required for the Department
production Late Bus to Mecca/Railing It Uptown, directed by Dr. Lively. Finally, we found a student (who already had a rather
massive assignment for this production) to accomplish this task on her personal
Macintosh computer which contained the program ÒGarage Band,Ó an easy-to-use
music editing software. This
student had to continue the editorial process on the showÕs soundtrack during
the final week of the productionÕs evolution, which was an imposition on an
already overtaxed student. The
iMac which I am requesting in this application comes with the same Garage Band
software, which would permit me, Dr. Lively, Michael McKinney, and other
directors to edit and re-edit soundtracks for all of our productions.
3. Discuss
how your project would have benefits extending over time beyond the
proposed project period and scope.
From the moment it is
acquired until it becomes completely obsolete, this new purchase will impact
every course I teach, every student I mentor, every play which Wesleyan Theatre
students or faculty direct, every member of the Wesleyan community who attends
these plays, and all members of the off-campus community who also attend our
productions. Since my classes
contain from five to twenty students, and our audience figures total between
800 and 1000 annually, I anticipate that several thousands of Wesleyan
students, faculty and staff, as well as members of the public, will reap its
benefits over the coming years.
4. List
all items needed for this project proposal and include the estimated cost of
each.
For this grant, I am
specifically requesting Macintosh/Apple equipment and software as itemized
below, because this package includes iLife, a user-friendly, self-explanatory,
multimedia software package which allows one to easily edit video, audio, and
photography. As described above, I need this
software in order to fulfill my obligations to the Department of Theatre. The increased speed and memory will
greatly facilitate all of my work on this computer. The excellent graphics processor is standard with this
computer. The iLife program does
not run on a PC. Similar programs
for the PC are more complicated and require a great deal of training, which
would be difficult for me to undertake, given my present schedule and
obligations to the College. On the
other hand, I have used Macintosh computers for over twenty years and, because
they are quite user-friendly, I have never needed special training to run any
of their software applications.
Please do not substitute
PC materials for the Apple items requested in this grant proposal.
iMac
(Macintosh) package, 20Ó monitor included, containing:
2.33GHz
Intel Core 2 Duo Processor
1GB
667 DDR2 SDRAM – 2x512 Memory
250GB
Serial ATA Drive
ATI
Radeon X1600/128 VRAM (standard and included)
iwork
Õ06 preinstalled
Apple
Keyboard & Mighty Mouse + Mac OS X (US English)
AppleCare
Protection Plan for iMac
Total cost, with
educational discount: $1,792.00, plus $125.44 tax, equals $1,917.44. Shipping is free. (This request is slightly higher than
the $1800.00 limit for this grant, but the equipment proposed is the best
package to satisfy the needs described above.)
5. Will
you require special training? If
yes, describe.
As noted above, I have worked
on Apple/Macintosh computers since 1985 and am quite familiar with that
technology. Macintosh programs are
extremely easy to learn and run.
With manuals and online help, I doubt that I will need much special
training, although I plan to consult with Dennis Applebee, Dr. Deidra Donmoyer
and other Macintosh users on campus when necessary.
6. Describe plans to assess impact on students.
I plan to give students
survey forms which will ask if and how the uses of specific technological
improvements in specific courses have impacted their learning in that subject
area. The same will be true
of students involved as actors, directors, designers, stage managers, and crew
members in Theatre Department productions. Thus, I will be able to assess results semester by semester,
course by course, and production by production. In addition, during my mentoring and independent studies
work with students, I will inquire one-on-one if and how individual students
have been affected by the advanced technology in my classes and in departmental
productions.